Africa is the Old Black, but the New Red
Before I begin my general kvetching, I would like to direct your attention to the most peculiar of the new Gap RED advertisements. The woman in question is supermodel Christy Turlington. Apparently, she is a yoga afficionado, which certainly explains the pose. Unfortunately, it does nothing to explain her ridiculously elongated body. What the hell is going on there? Ten points to the first person who can figure out which art period her body reminds me of. Remember, it was covered in the AP Euro art project. (Answer will be posted on Saturday)Corporate flacks everywhere are touting the (Product) RED campaign as a historic union of branding and charity. The effort was spearheaded by Bono and Bobby Shriver to encourage companies to raise awareness and funds for AIDS and HIV relief by selling products (many made in Africa) that advertise the RED movement. Although I am always happy to have people pay attention to Africa, unfortunately, no one ever notices it until it is knee deep in a new crisis (read: massacres, famines, epidemic diseases, rising fundamentalism, lack of education, and human rights violations.) The way that HIV and AIDS have devasted Africa, and Southern Africa is particular, is no longer suprising. With leaders like South African President Mbeki, who deny the link between HIV and AIDS, and US-funded abstinence models of sex education, sucessful, progressive reproductive health programs achieve spotty results at best.
So Corporate America has stepped in to shephard us to salvation. Or, if not salvation, then $50.00 denim bags with the word "red" rendered in multiple languages the front. Half of the profits of the Gap RED collection go to The Global Fund, which aids African women and children with HIV/AIDS. At first glance, this is a win-win situation for everyone. The GAP gets to appear relevant and socially conscious, attracting shoppers with its humanistic clothing line. The Global Fund gets increased donations, more Africans are helped, shoppers get wear their consumerism as an example of social responsibility, and Bono gets something new to put on his CV.
But you have to wonder: How much do these people really care about the HIV/AIDS crisis? When I attended last year's Live 8 concert in Philadelphia, I could sense that more people came for the free music than in support of one.org. When Will Smith came on stage, he told the audience that someone dies of HIV/AIDS every time you snap your fingers. Then he asked the audience...to snap their fingers. Alright, call me a wuss, but when I first saw that one.org commercial with all of the celebrities snapping their fingers, it creeped the heck out of me. Every time it came on, I changed the channel. That single sound rendered the epidemic tangible to me: someone's death toll was being sounded. How many times can you listen to that?
Apparently, many times. Everyone around me raised their hands and snapped. But I didn't see any look of recognition on their faces. My hands remained silent.
From the looks of it, the GAP is trying to do what Will Smith couldn't, encourage the client to turn his gaze inward with the outward display of abstract, positive terms, all ending in "red." From hono(red) to cente(red), we can all pay homage to the more enlightened aspects of our identies while simultaneously signalling our social awareness. I was thoroughly enjoying the love-in until I saw a mannequin with a shirt that read:
Hamme(red).
Yeah, me too.
